I · The Maker/II · The Instrument/III · The Collector's Piece/IV · Acquisition
Room I · The Maker
Glashütte's house of precision
The gilded top plate, finished and signed in Glashütte
A. Lange & Söhne was founded in Glashütte in 1845 and became the foremost German maker of precision timekeepers, building the marine chronometers by which German ships kept their reckoning at sea. By the early twentieth century the firm supplied most of the Glashütte chronometers entered in the Hamburg observatory trials. This example belongs to the standardized Einheitschronometer production of the war years: the raw movement frames were made to a common pattern supplied through Wempe's Hamburger Chronometerwerke, while the wheels and pinions were cut in Glashütte and the chronometer was assembled, adjusted and signed by Lange.
Room II · The Instrument
Built to be read at a glance
A marine chronometer is built to do one thing without fail: hold true time at sea so a navigator can fix his longitude, and everything about this one is arranged to that end. The movement sits in a gilt brass bowl, swung in gimbals so it stays level however the ship moves beneath it, and the whole assembly locks into a two-tier mahogany box with a glazed inner lid, so the time can be read without opening the case to the air.
The dial is silvered, with black Arabic numerals and an outer minute track, laid out for fast and unambiguous reading. Subsidiary seconds sit low on the dial, at seven, and a second small dial at one carries the Auf and Ab scale, running from zero to fifty-six: the up-and-down indicator that shows at a glance how much of the two-day run remains before the chronometer must be wound. The hour and minute hands are gilt spades; the seconds and up-and-down hands are blued steel. Winding and hand-setting are done from the back, with the tipsy key that is still here on its bracket inside the lid.
What sets this example apart is that it is whole. Most of these wartime chronometers left Glashütte with bowls and gimbal rings of bakelite, a material that discolours, shrinks and cracks with the decades. This one keeps its gilt brass bowl and brass gimbals, and they have held their finish. The mahogany box is sound, its brass drop handles and locks work, and the bevelled glasses in both the bowl and the lid are clear.
It is also complete in the way that matters most on an instrument like this: the numbers agree. The same series number runs through the movement, the dial, the dust ring and the bowl, so the chronometer in front of you is the chronometer as it was finished and delivered, not an assembly of parts gathered together later.
The dial is silvered, with black Arabic numerals and an outer minute track, laid out for fast and unambiguous reading. Subsidiary seconds sit low on the dial, at seven, and a second small dial at one carries the Auf and Ab scale, running from zero to fifty-six: the up-and-down indicator that shows at a glance how much of the two-day run remains before the chronometer must be wound. The hour and minute hands are gilt spades; the seconds and up-and-down hands are blued steel. Winding and hand-setting are done from the back, with the tipsy key that is still here on its bracket inside the lid.
What sets this example apart is that it is whole. Most of these wartime chronometers left Glashütte with bowls and gimbal rings of bakelite, a material that discolours, shrinks and cracks with the decades. This one keeps its gilt brass bowl and brass gimbals, and they have held their finish. The mahogany box is sound, its brass drop handles and locks work, and the bevelled glasses in both the bowl and the lid are clear.
It is also complete in the way that matters most on an instrument like this: the numbers agree. The same series number runs through the movement, the dial, the dust ring and the bowl, so the chronometer in front of you is the chronometer as it was finished and delivered, not an assembly of parts gathered together later.
Room III · The Collector's Piece
Number-matched throughout
Lange's series of standardized marine chronometers began at No. 5,001, completed on 31 March 1943. This is No. 5159, the 159th of that series, and the number is carried across the instrument: 5159 on the movement plate and the seconds dial, 159 on the silvered dust ring, 1159 inside the bowl. The dial and movement are both signed GLASHÜTTE A. LANGE & SÖHNE b/Dresden.
Bowl and gimbals
Excellent
Original gilt brass bowl and brass gimbals, retaining their finish; swings freely and locks correctly.
Dial
Excellent
Silvered, clean and legible with only very faint age tone; signatures and numerals crisp.
Movement
Excellent
Running well, winds and sets correctly; chain-and-fusee, spring detent escapement and compensation balance all clean and intact; fully number-matched.
Glass
Excellent
Bevelled glass in the bowl and the glazed box lid both intact, no chips or cracks.
Box
Excellent
Two-tier mahogany box sound throughout; brass drop handles and locks work; original tipsy winding key present.
Winding
key-wound via the original tipsy key (present); no crown.
- Maker
- A. Lange & Söhne, Glashütte b/Dresden
- Model
- Einheitschronometer, two-day marine chronometer (Kaliber 100 type)
- Serial
- 5159 (matched 159 on dust ring, 1159 in bowl)
- Year
- C.1943
- Movement
- Gilt three-pillar full-plate; chain-and-fusee with maintaining power; spring detent escapement; cut bimetallic compensation balance; blued helical balance spring
- Complications
- Subsidiary seconds; 56-hour up-and-down (Auf/Ab) indicator
- Dial
- Silvered, black Arabic numerals
- Case
- Gilt brass bowl in brass gimbals, bevelled glass
- Box
- Two-tier mahogany with glazed lid, brass hardware, original tipsy key
- Country
- Germany (Glashütte)
The Estate Collection
Room IV · Acquisition
Price on Request
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A. Lange & Söhne
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Enquiry
Lange Marine Chronometer, 1943
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